{"product_id":"rme-babyface-pro-fs-audio-interface","title":"RME Babyface Pro FS Audio Interface","description":"\u003ch4\u003e24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface.\u003c\/h4\u003e\u003cdiv class=\"accordion-item_content-text\"\u003eFour years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.\u003cbr\u003e\u003cbr\u003eIn the new Babyface Pro FS even more improvements were implemented:\u003cbr\u003e+19 \/ +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion \/ overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.\u003cbr\u003eFull SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.\u003cbr\u003e3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.\u003cbr\u003eMic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.\u003cbr\u003e6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).\u003cbr\u003eAll the above improvements were achieved without raising the units power consumption.\u003cbr\u003eK-slot for theft protection.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eADI-2 Series Headphone Power\u003c\/strong\u003e\u003cbr\u003eThe two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.\u003cbr\u003e\u003cbr\u003eThe 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. and uses same output op-amps as ADI-2 Pro now. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFull range capture - Improved Mic \u0026amp; Line Inputs\u003c\/strong\u003e\u003cbr\u003eFor the main I\/O RME have designed a XLR socket, which integrates seamlessly into the housing and saves space.\u003cbr\u003e\u003cbr\u003eTwo digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.\u003cbr\u003e\u003cbr\u003eBabyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favorite condenser microphones.\u003cbr\u003e\u003cbr\u003eThe comprehensive feature set continues with an optical TOSLINK I\/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 \u0026amp; 4. Record your guitar on the go, with no additional hardware required. MIDI I\/O via an included breakout cable completes the package.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore Pro-Level Performance with SteadyClock FS\u003c\/strong\u003e\u003cbr\u003eIn digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMixing \u0026amp; Routing with TotalMix FX \u0026amp; TotalMix Remote\u003c\/strong\u003e\u003cbr\u003eLike all the latest RME interfaces, the Babyface Pro FS also includes the powerful digital real-time mixer TotalMix FX. It allows fully independent routing and mixing of input and playback channels to all physical outputs. Independent stereo submixes plus a comprehensive Control Room section offer unrivaled monitoring capabilities and unsurpassed routing flexibility.\u003cbr\u003e\u003cbr\u003eBabyface Pro FS ships with RME’s TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in any situation. For example mixing your guitar and vocals to headphones has never been easier. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available.\u003cbr\u003e\u003cbr\u003eAdditionally RME’s latest software, TotalMix Remote, enhances the power of the Babyface Pro FS by enabling remote control via iOS, PC or Mac. With a straightforward set up process — simply enter the IP address of the computer you would like to control with TotalMix Remote and get going — users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.\u003cbr\u003e\u003cbr\u003eThe FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also available. Latest generation low latency AD\/DA converters, combined with RME’s unique SteadyClock FS technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eEasy to Use and Perfectly Stable\u003c\/strong\u003e\u003cbr\u003eStraight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRME USB - Transport Audio with Lowest Latency and Industry Leading Stability\u003c\/strong\u003e\u003cbr\u003eAs part of RME’s product philosophy, they always further develop and optimize their core technology. RME have paved the way for multichannel audio and were the first to deliver professional performance over USB 2.0. They place a high level of attention on the development of reliable, stable, and regularly updated drivers for their products and an unwavering focus on audio quality. This guarantees your Babyface Pro FS will be never outdated and always updated.\u003cbr\u003e\u003cbr\u003eAnd because RME Audio develops its own interface core, it’s not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePremium Plug-ins Included\u003c\/strong\u003e\u003cbr\u003eRME teamed with S-Gear, state-of-the-art software guitar amplification by Scuffham Amps, to offer its software free-of-charge with the purchase of an RME Babyface Pro FS audio interface.\u003cbr\u003e\u003cbr\u003eAdditionally, Babyface Pro FS users will also have free access to the full, unlimited versions of Plugin Alliance’s:\u003cbr\u003eBrainworx BX Opto\u003cbr\u003eBrainworx BX Masterdesk plug-ins\u003cbr\u003e\u003cbr\u003eBabyface PRO FS users will also receive trial versions of Gig Performer, Pianoteq 6 by Modartt and the Blue 3 Organ by GG Audio.\u003c\/div\u003e\n\u003cp class=\"accordion-item_content-text -bold\"\u003e\nGive your projects the quality they deserve. order today.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 class=\"accordion-item_content-header\"\u003eBabyface Pro FS Audio Interface Specifications:\u003c\/h4\u003e\n\u003cstrong role=\"heading\" aria-level=\"4\"\u003eANALOG\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nAD, Microphone\/Line 1-2\u003c\/li\u003e\n\u003cli\u003e\nInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003e\nInput impedance balanced: 2 kOhm, 5.2 kOhm with PAD\u003c\/li\u003e\n\u003cli\u003e\nInput impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD\u003c\/li\u003e\n\u003cli\u003e\nSignal to Noise ratio (SNR): 113,7 dB RMS unweighted, 117 dBA\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 44.1 kHz, -0.1 dB: 18 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 96 kHz, -0.5 dB: 7 Hz – 45.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003e\nWith PAD active : -0.1 dB 8 Hz, -0.5 dB \u0026lt; 4 Hz, -1 dB \u0026lt; 3 Hz\u003c\/li\u003e\n\u003cli\u003e\nTHD: \u0026lt; -112 dB, \u0026lt; 0.00024 %\u003c\/li\u003e\n\u003cli\u003e\nTHD+N: \u0026lt; -108 dB, \u0026lt; 0.00035 %\u003c\/li\u003e\n\u003cli\u003e\nTHD @ 30 dB Gain: \u0026lt; -115 dB, \u0026lt; 0.00016 %\u003c\/li\u003e\n\u003cli\u003e\nTHD+N @ 30 dB Gain: \u0026lt; -100 dB, \u0026lt; 0.001 %\u003c\/li\u003e\n\u003cli\u003e\nChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\nGain range: -11 dB up to +65 dB\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nAD, LINE\/INSTRUMENT IN 3-4\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nAs Microphone\/Line 1-2, but: \u003c\/li\u003e\n\u003cli\u003e\nInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003e\nInput impedance: 1 MOhm\u003c\/li\u003e\n\u003cli\u003e\nSignal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 96 kHz, -0.5 dB: \u0026lt; 3 Hz – 45.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 192 kHz, -1 dB: \u0026lt; 2 Hz – 92 kHz\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level @+4 dBu, Gain 0 dB: +13 dBu\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level @-10 dBV, Gain 9 dB: -5 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDA, Line Out 1-2\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003e\nTHD: - 106 dB, 0.0005 %\u003c\/li\u003e\n\u003cli\u003e\nTHD+N: -102 dB, 0.0008 %\u003c\/li\u003e\n\u003cli\u003e\nChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\nOutput: XLR balanced\u003c\/li\u003e\n\u003cli\u003e\nOutput impedance: 300 Ohm balanced, 150 Ohm unbalanced\u003c\/li\u003e\n\u003cli\u003e\nOutput level @ 0 dBFS: Balanced +19 \/ +4 dBu, unbalanced +13 \/ +7 dBu\u003c\/li\u003e\n\u003cli\u003e\nDC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDA, PHONES 3\/4\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nAS DA Line Out, but: \u003c\/li\u003e\n\u003cli\u003e\nOutput: 6.3 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003e\nOutput impedance: 10 Ohm\u003c\/li\u003e\n\u003cli\u003e\nOutput level at 0 dBFS, 1 kOhm load: +13 dBu\u003c\/li\u003e\n\u003cli\u003e\nMax power @ 0.1% THD: 60 mW\u003c\/li\u003e\n\u003cli\u003e\nSignal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\nNoise level: -101.8 dBu\u003c\/li\u003e\n\u003cli\u003e\nOutput: 3.5 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003e\nOutput impedance: 0.1 Ohm\u003c\/li\u003e\n\u003cli\u003e\nOutput level at 0 dBFS, 1 kOhm load: +7 dBu\u003c\/li\u003e\n\u003cli\u003e\nMax power @ 0.1% THD: 90 mW\u003c\/li\u003e\n\u003cli\u003e\nSignal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA\u003c\/li\u003e\n\u003cli\u003e\nNoise level: -107 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nMIDI\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\n1 x MIDI I\/O via breakout cable with 2 x 5-pin DIN jacks\u003c\/li\u003e\n\u003cli\u003e\nGalvanically isolated by optocoupled input\u003c\/li\u003e\n\u003cli\u003e\nHi-speed mode: Jitter and response time typically below 1 ms\u003c\/li\u003e\n\u003cli\u003e\nSeparate 128 byte FIFOs for input and output 25.3\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDIGITAL\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nClocks: Internal, ADAT In, SPDIF In\nJitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz) \u003c\/li\u003e\n\u003cli\u003e\nEffective clock jitter influence on AD and DA conversion: near zero\u003c\/li\u003e\n\u003cli\u003e\nPLL ensures zero dropout, even at more than 100 ns jitter\u003c\/li\u003e\n\u003cli\u003e\nDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/li\u003e\n\u003cli\u003e\nSupported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDIGITAL INPUTS \u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nADAT Optical\u003c\/li\u003e\n\u003cli\u003e\n1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003e\nStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003e\nDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003e\nQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003e\nBitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/li\u003e\n\u003cli\u003e\nLock Range: 31.5 kHz – 50 kHz\u003c\/li\u003e\n\u003cli\u003e\nJitter suppression: \u0026gt; 50 dB (2.4 kHz) \u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nSPDIF optical\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\n1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003e\nAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003e\nLock Range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003e\nJitter suppression: \u0026gt; 50 dB (2.4 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\n)\nDIGITAL OUTPUTS\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nADAT optical\u003c\/li\u003e\n\u003cli\u003e\n1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003e\nStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003e\nDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003e\nQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nSPDIF optical\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\n1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003e\nFormat Consumer (SPDIF) according to IEC 60958\u003c\/li\u003e\n\u003cli\u003e\nSample rate 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nGENERAL\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nPower supply: USB bus power or external power supply\u003c\/li\u003e\n\u003cli\u003e\nIdle power consumption: 2.8 Watts\u003c\/li\u003e\n\u003cli\u003e\nTypical power consumption: 3.7 Watts\u003c\/li\u003e\n\u003cli\u003e\nMax. power consumption: 5.4 Watts\u003c\/li\u003e\n\u003cli\u003e\nCurrent at 5 V bus power operation: 700 mA (3.7 Watts) \u003c\/li\u003e\n\u003cli\u003e\nCurrent at 12 V external power: 313 mA (3.7 Watts) \u003c\/li\u003e\n\u003cli\u003e\nDimensions (WxHxD): 108 x 35 x 181 mm (4.25\"\" x 1.4\"\" x 7.1\"\")\u003c\/li\u003e\n\u003cli\u003e\nWeight: 680 g ( 1.5 lbs) \u003c\/li\u003e\n\u003cli\u003e\nTemperature range: +5° up to +50° Celsius (41° F up to 122°F) \u003c\/li\u003e\n\u003cli\u003e\nRelative humidity: 75%, non condensingFrequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz\u003c\/li\u003e\n\u003cli\u003e\nWith PAD active : -0.1 dB 8 Hz, -0.5 dB \u0026lt; 4 Hz, -1 dB \u0026lt; 3 Hz\u003c\/li\u003e\n\u003cli\u003e\nTHD: \u0026lt; -112 dB, \u0026lt; 0.00024 %\u003c\/li\u003e\n\u003cli\u003e\nTHD+N: \u0026lt; -108 dB, \u0026lt; 0.00035 %\u003c\/li\u003e\n\u003cli\u003e\nTHD @ 30 dB Gain: \u0026lt; -115 dB, \u0026lt; 0.00016 %\u003c\/li\u003e\n\u003cli\u003e\nTHD+N @ 30 dB Gain: \u0026lt; -100 dB, \u0026lt; 0.001 %\u003c\/li\u003e\n\u003cli\u003e\nChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\nGain range: -11 dB up to +65 dB\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nAD, LINE\/INSTRUMENT IN 3-4\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nAs Microphone\/Line 1-2, but: \u003c\/li\u003e\n\u003cli\u003e\nInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003e\nInput impedance: 1 MOhm\u003c\/li\u003e\n\u003cli\u003e\nSignal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 96 kHz, -0.5 dB: \u0026lt; 3 Hz – 45.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 192 kHz, -1 dB: \u0026lt; 2 Hz – 92 kHz\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level @+4 dBu, Gain 0 dB: +13 dBu\u003c\/li\u003e\n\u003cli\u003e\nMaximum input level @-10 dBV, Gain 9 dB: -5 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDA, Line Out 1-2\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz\u003c\/li\u003e\n\u003cli\u003e\nFrequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003e\nTHD: - 106 dB, 0.0005 %\u003c\/li\u003e\n\u003cli\u003e\nTHD+N: -102 dB, 0.0008 %\u003c\/li\u003e\n\u003cli\u003e\nChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\nOutput: XLR balanced\u003c\/li\u003e\n\u003cli\u003e\nOutput impedance: 300 Ohm balanced, 150 Ohm unbalanced\u003c\/li\u003e\n\u003cli\u003e\nOutput level @ 0 dBFS: Balanced +19 \/ +4 dBu, unbalanced +13 \/ +7 dBu\u003c\/li\u003e\n\u003cli\u003e\nDC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDA, PHONES 3\/4\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nAS DA Line Out, but: \u003c\/li\u003e\n\u003cli\u003e\nOutput: 6.3 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003e\nOutput impedance: 10 Ohm\u003c\/li\u003e\n\u003cli\u003e\nOutput level at 0 dBFS, 1 kOhm load: +13 dBu\u003c\/li\u003e\n\u003cli\u003e\nMax power @ 0.1% THD: 60 mW\u003c\/li\u003e\n\u003cli\u003e\nSignal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003e\nNoise level: -101.8 dBu\u003c\/li\u003e\n\u003cli\u003e\nOutput: 3.5 mm TRS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003e\nOutput impedance: 0.1 Ohm\u003c\/li\u003e\n\u003cli\u003e\nOutput level at 0 dBFS, 1 kOhm load: +7 dBu\u003c\/li\u003e\n\u003cli\u003e\nMax power @ 0.1% THD: 90 mW\u003c\/li\u003e\n\u003cli\u003e\nSignal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA\u003c\/li\u003e\n\u003cli\u003e\nNoise level: -107 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nMIDI\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\n1 x MIDI I\/O via breakout cable with 2 x 5-pin DIN jacks\u003c\/li\u003e\n\u003cli\u003e\nGalvanically isolated by optocoupled input\u003c\/li\u003e\n\u003cli\u003e\nHi-speed mode: Jitter and response time typically below 1 ms\u003c\/li\u003e\n\u003cli\u003e\nSeparate 128 byte FIFOs for input and output 25.3\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDIGITAL\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nClocks: Internal, ADAT In, SPDIF In\nJitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz) \u003c\/li\u003e\n\u003cli\u003e\nEffective clock jitter influence on AD and DA conversion: near zero\u003c\/li\u003e\n\u003cli\u003e\nPLL ensures zero dropout, even at more than 100 ns jitter\u003c\/li\u003e\n\u003cli\u003e\nDigital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/li\u003e\n\u003cli\u003e\nSupported sample rates: 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nDIGITAL INPUTS \u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nADAT Optical\u003c\/li\u003e\n\u003cli\u003e\n1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003e\nStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003e\nDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003e\nQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003e\nBitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/li\u003e\n\u003cli\u003e\nLock Range: 31.5 kHz – 50 kHz\u003c\/li\u003e\n\u003cli\u003e\nJitter suppression: \u0026gt; 50 dB (2.4 kHz) \u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nSPDIF optical\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\n1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003e\nAccepts Consumer and Professional format\u003c\/li\u003e\n\u003cli\u003e\nLock Range: 27 kHz – 200 kHz\u003c\/li\u003e\n\u003cli\u003e\nJitter suppression: \u0026gt; 50 dB (2.4 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\n)\nDIGITAL OUTPUTS\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nADAT optical\u003c\/li\u003e\n\u003cli\u003e\n1 x TOSLINK\u003c\/li\u003e\n\u003cli\u003e\nStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003e\nDouble Speed (S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003e\nQuad Speed (S\/MUX4) : 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nSPDIF optical\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\n1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003cli\u003e\nFormat Consumer (SPDIF) according to IEC 60958\u003c\/li\u003e\n\u003cli\u003e\nSample rate 28 kHz up to 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cstrong role=\"heading\" aria-level=\"4\"\u003e\nGENERAL\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\nPower supply: USB bus power or external power supply\u003c\/li\u003e\n\u003cli\u003e\nIdle power consumption: 2.8 Watts\u003c\/li\u003e\n\u003cli\u003e\nTypical power consumption: 3.7 Watts\u003c\/li\u003e\n\u003cli\u003e\nMax. power consumption: 5.4 Watts\u003c\/li\u003e\n\u003cli\u003e\nCurrent at 5 V bus power operation: 700 mA (3.7 Watts) \u003c\/li\u003e\n\u003cli\u003e\nCurrent at 12 V external power: 313 mA (3.7 Watts) \u003c\/li\u003e\n\u003cli\u003e\nDimensions (WxHxD): 108 x 35 x 181 mm (4.25\" x 1.4\" x 7.1\")\u003c\/li\u003e\n\u003cli\u003e\nWeight: 680 g ( 1.5 lbs) \u003c\/li\u003e\n\u003cli\u003e\nTemperature range: +5° up to +50° Celsius (41° F up to 122°F) \u003c\/li\u003e\n\u003cli\u003e\nRelative humidity: 75%, non condensing\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ca href=\"https:\/\/link.livewiremusicnow.com\/warranties\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cu\u003e\u003cstrong\u003eSee our Warranty Information here\u003c\/strong\u003e\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":44925036593288,"sku":"LWM-01301","price":2562.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0728\/2009\/7160\/files\/5149507176.jpg?v=1774437639","url":"https:\/\/livewire-music-2.myshopify.com\/products\/rme-babyface-pro-fs-audio-interface","provider":"LiveWire Music","version":"1.0","type":"link"}